Search

AllEyesOnDC

Building a Black Nation, One Post at a Time

Category

Uncategorized

COMING SOON: The AllEyesOnDC Show Discusses Zoning Laws & Gentrification

Once approved, D.C.’s Comprehensive Plan will determine how land in the District will be used, whether it’s for the benefit of longtime residents or major developers eager to expand their influence over a gentrified city.

The stakes are high, so much so that constituents of varying ideologies and interests recently converged on the Wilson Building earlier this month, testifying before the D.C. Council into the wee hours of the morning in the hopes that the final version of the Comprehensive Plan reflects their vision for D.C.

With discussion around the Comprehensive Plan for D.C. underway, it’s time that Africans in the District understand how zoning regulations, the laws that affect the allocation of land for residences, shopping districts, and the like, enable corporations to gentrify Our communities. Ari Theresa, Esq. of Stoop Law L.L.C. will grace The AllEyesOnDC Show on Friday, April 20th at Sankofa Video Books & Cafe (2714 Georgia Avenue NW) and educate us while reflecting on his experiences in this field. This is a show you cannot afford to miss. The show starts at 8pm. 

Before you come through to witness the magic of The AllEyesOnDC Show, watch this video of Ari Theresa speaking with Sam P.K. Collins last year during Howard Homecoming. Peace and blessings!

Advertisements
Featured post

Two Black Millennials Reveal the Keys to a Stable Life

Courtesy photo of Black family 

Black people’s collective economic condition in the United States, and more specifically D.C., warrants some concerns about how residents of African descent, whether they arrived yesterday or have been in the District for generations, will fare amid mass corporatization, skyrocketing college debt, increasing costs of living, and the lack of conventional employment opportunities, compared to what their parents and grandparents experienced in the years after the end of the Civil Rights movement.

In recent years, many Black Millennials, part of a generation scarred by the Great Recession and disillusioned by growing income inequality, have embraced unorthodox means of financial stability. Instead of relying solely on income generated from fulltime jobs, young people, in the spirit of entrepreneurship, are creating additional revenue streams through investments in properties and forays in the stock market. This has become part of a strategy to be self-determined and avoid the pitfalls that decimated Black wealth in less than a generation.

On the March edition of The AllEyesOnDC Show, Sade Chase-Marshall and Makiri Pugh, two Black millennial entrepreneurs from the D.C. metropolitan area, revealed the paths they are blazing on their path to socioeconomic self-determination. While their stories and tips for success in the capitalist market wooed some members of the audience, it sparked a much-needed discussion about the feasibility of similar results for those struggling to make it day by day. For better or worse, the conversation also compelled Baby Boomers and members of Generation X in the audience to examine how lack of communication between elders and the youth may have contributed to intergenerational financial setbacks within the Black family.

 

D.C. Council Missed the Mark with TOPA Single-Family Home Exemption

Earlier this week, the D.C. Council overwhelmingly voted in favor of a change to an essential law that, when implemented, will accelerate gentrification and displace tenants long dependent on the graces of homeowners with extra space in their residences.

In a 10-2 vote on Tuesday, the D.C. Council moved to abolish protections afforded to tenants of single-family homes under the Tenant Opportunity to Purchase Act (TOPA). For nearly 40 years, TOPA has granted tenants of apartments and single-family homes the first-right-of-refusal when their landlord announces their intention to not renew their lease and sell the property. This means that tenants can intercept the transaction between the homeowner and third-party buyer, most likely a developer, and match the third-party buyer’s offer. After that, they would have an allotted time period to secure a home loan in that amount. The entire TOPA process takes 180 days, or nearly six months.

Tenants in apartments could use the law to purchase the property as a co-op. In some cases, they could lobby for ownership of their single unit, saving the owner some costs. The writer of this article, a native Washingtonian and one-time tenant in a single-family home, successfully navigated the TOPA process last year on the journey to homeownership, as had 19 other single-family home tenants since TOPA’s inception.

Unfortunately, D.C.’s realtor lobby, developers, and D.C. Council members anxious to serve their money hungry constituents, failed to consider the aforementioned facts of this case. Instead, they ignored nuance, bypassed the pleas of tenant association members, and heavily relied on the findings of an investigation that showed how TOPA lawyers helped secure payouts of up to $30,000 for tenants who had no intention to purchase property from their landlord. This information supported Council testimony from homeowners who revealed instances where TOPA abuse interrupted plans to finance children’s college education and moves to elder care facilities.

Proponents of the single-family home exemption argue that not doing so would discourage homeowners, wary of conniving tenants, from renting out their basements, a trend that could negatively affect D.C.’s housing market. That concern has legitimacy, which is why an amendment scrapping the TOPA payout portion of the law would have sufficed. As can be seen from the outside looking in, the powers that didn’t explore that option. Developments around the TOPA debate have also provided insight. Last year, a committee, led by D.C. Council chair Phil Mendelson (D), was tasked with exploring the case further and coming to a commonsensical solution. Instead, Mendelson dissolved the committee, telling his colleagues they had nothing more to discuss on this matter.

The financially conscious among D.C. residents would disagree. In the era of gentrification, spurred by the construction of Nationals Stadium and other projects, several Black and immigrant families living in the Shaw, Petworth, and Ivy City neighborhoods have been displaced by rapid development, finding themselves with little to no place to go. Between 2015 and 2016, the number of homeless families increased by 30 percent, according to a study conducted last year. D.C. currently has the highest rate of homelessness among all major American cities.

With D.C. home prices at the highest they’ve been in 10 years, few options exist for tenants who want to transition to homeownership in the D.C. neighborhood of their choice. By exempting single-family homes from TOPA protections, the D.C. Council has opened the gates for a developer buying frenzy, in which developers will buy these homes at below market-rate prices, furnish and add amenities to them, before selling it for a much higher price. The losers in this deal are the tenants who could’ve matched that low offer and gotten a chance to own the place they’d helped their landlord pay off for some time, especially with the help of the Home Purchase Assistance Program. Ultimately, the losers will also be indigenous Washingtons, on both sides of this issue, who will see the very fabric of their community torn apart by colonizers, more than it already has been since at least 2007.

A second reading and vote on the single-family home exemption for TOPA has been scheduled for April. It’s incumbent upon the D.C. Council as a unit to think long and hard about the implications of this move. There’s no way to ensure that eliminating TOPA rights for this class of tenant will encourage homeowners to rent out their homes, but if history is a teacher — and it is — majority-indigenous D.C. communities, such as Deanwood in Northeast, could go to the wayside much sooner than later.

 

Looking Back: Team Familiar’s Nigerian Experience

PHOTO: Team Familiar’s founder and saxophonist D. Floyd made friends during Team Familiar’s trip to Nigeria at the end of last year./ Photo courtesy of Team Familiar via Facebook

As often happens to children of the Diaspora who visit the Motherland, Team Familiar quickly embraced the overwhelming Blackness of Nigeria during their visit to the West African nation at the end of last year.

Minutes after leaving Murtala International Airport that early December morning, an entourage member, jetlagged and on Facebook live, marveled at the hustle and bustle around him, expressing solidarity with the Nigerian people whose home he called his own.

Donnell Floyd, Team Familiar’s founder and saxophonist, would soon come to find out that Nigerians shared similar sentiments about their brethren in the west. “The first night we got there, [the king] talked to us like cousins sitting around the fireplace and spoke about uniting people and the part music played in that,” D. Floyd told AllEyesOnDC as he described the first day of Team Familiar’s stay with a royal family that lived in a palace three hours outside of Lagos, in the Ife region.

“The king addressed misconceptions about Nigerians being different from Black folks in America and explained it very simply: ‘your forefathers were captured and mine weren’t but we’re really the same.’ Just talking to him was the most amazing part,” added Floyd, 53.

Thus began an experience that exposed Nigerians to go-go music and helped Team Familiar explore the African roots of the musical genre they’ve dominated since after the turn of the century. As pioneers of the “Grown & Sexy” go-go subgenre, Team Familiar maintained a following among Generation Xers that shunned the contemporary, bounce beat sound. Team Familiar’s fans have followed band members, each of whom is a star in their own right, along their individual journeys in the industry reaching long before Team Familiar’s founding.

Despite changes in their line up in recent years and questions about go-go’s future amid rapid gentrification and a mass exodus of young talent to the trap rap industry, Team Familiar has managed to maintain a presence in D.C.’s go-go scene, appearing weekly and filling venues.

In addition to Floyd, bandmates currently include Milton “Go-Go Mickey” Freeman on the congas and Marquis “Quisy” Melvin on the vocals. Last December’s trip to Nigeria, organized in the aftermath of a chance encounter with the Ife region’s Prince Ayotunde Adebayo-Isadipe at a Baltimore show earlier that year, connected team Familiar with a demographic that may have never considered go-go as a viable musical choice.

“They took to the go-go sound pretty good,” Go-Go Mickey told AllEyesOnDC. “We played a lot of cover tunes with the go-go beat and the ladies were singing and dancing when they heard the words.” Mickey said.

During their four-day trip, most of which was spent in the Ife region, Team Familiar performed at at the Pan-Afrikan Back to the Roots Festival as the royal family’s special guests. Radio listeners also heard some go-go, courtesy of Team Familiar. For what felt like a few minutes, band members also met Femi Kuti, artist and son of Afrobeats pioneer Fela Kuti. Floyd said that meeting reaffirmed a need to “accentuate the drums” a bit more in the music.

The lessons didn’t stop.

While out and about in the Ife region, bandmates immersed themselves in the pandemonium of the local marketplaces and watch as even children as young as four and five ran errands. After vibing to the sounds of African drums, Go-Go Mickey joined two percussionists under some palm trees for an afternoon jam session that D. Floyd recorded on Facebook Live.

“They don’t have a worry in the world. The music takes a lot of the pain away and takes their mind off of things,” Mickey said as he described his memories of Nigeria. Though reeling from a South Africa trip with jazz musician Marc Curry and exhausted throughout the trip, elements of Nigerian life caught his attention. “Once [people] hear the main drum, they stop doing what they’re doing. Playing with them guys over there, was all fun. We were vibing off of each other,” Mickey noted.

At a time when African consciousness has emerged among Black people in the United States, tapping into the Diaspora seems like a natural pivot for go-go music, an artform birthed in “Chocolate City,” a place with a growing Black immigrant population. In March, Backyard Band, in a collaboration with The Adrinka Group, will perform in Ghana and film a documentary as part of what’s called BACK2Africa:Thru the Door of No Return.

Team Familiar’s also looking to the future. There has been talk of return trips later this year. Some future work may also reflect more of a West African influence and a have heavier percussion.

“If anything, it was reaffirmed that percussion is what makes it work,” D. Floyd said. “You don’t hide it for nothing. You blast it. In Africa, it’s explainable. You expect it and feel it. That’s what I like to go after more aggressively. Trip trip as taught me to push the percussion and accentuate it more.”

***See members of Team Familiar live at Sankofa Video Books & Cafe on Friday, Jan 19th as they discuss their Nigeria trip in more detail during The AllEyesOnDC Show: Exploring Go-Go’s African Roots. The show starts at 8pm. ***

 

Mama Hasinatu Tribute Promotes Kwanzaa Spirit

The spirit of Mama Hasinatu Camara was alive and well in Sankofa Video Books & Cafe on the night of Ujamma, the Kiswahili word for cooperative economics from which the fourth day of Kwanzaa gets its name. In the last years of her long and storied life, Mama Hasinatu practiced group economics when she patronized the gathering place of conscious minds, even hosting a tribute to her late comrade Kwame Ture there for two consecutive years.

Mama Hasinatu’s impact on D.C.’s African-centered community goes even further, as shown through the youth she taught at Bridges Academy, the now defunct Booker T. Washington High School, Nation House and other culturally driven educational institutions for children of African descent. Those who knew her considered her youthful disposition to be one of a kind. Even as old age crept up on her, Mama Hasinatu continued reasoning with the young people and imparting words of wisdom.

Thus were the words, and more, said about The Black Power Enforcer on the night of Friday, Dec. 29th at Sankofa, based on Georgia Avenue. The three-hour program, standing room only, attracted people of various ages, and ideologies and spiritual systems falling under the Black Power umbrella. Alma Negra Set, brainchild of Falani Spivey, a young person who grew up under Mama Hasinatu’s wing, hosted this function along with AllEyesOnDC, the monthly program on which Mama Hasinatu appeared and where she sometimes found herself along with D.C’s young people on the third Friday of the month.

Mama Hasinatu, a native Washingtonian, spent her early years on 8th and H Streets in Northeast. As a member and key organizer of the All-African People’s Revolutionary Party, Mama Hasinatu touted the benefits of scientific socialism as it relates to African liberation, while here in the United States and on her travels with Ture, the Pan-African organizer formerly known as Stokely Carmichael, in Guinea. In her role, she organized African Liberation Day celebrations throughout the 1970s and 1980s while speaking about Zionist imposition in international affairs at the expense of oppressed, melanated people. Mama Hasinatu’s activities as a then newly awaken African woman would set the stage for greater opportunities and other roles as The Black Power Enforcer until she transitioned in mid- December of last year.

For much of the night, guests poured libation, sang, played music, and reflected on the goodness of Mama Hasinatu’s time in this realm. Speakers included Mama Luci Murphy, Baba Senghor Jawara Baye, Baba Tarik Oduno, and Haile Gerima, co-owner of Sankofa Bookstore and director of the famed Sankofa film, in which Mama Hasinatu played a valuable role. Members of Mama Hasinatu’s family, sitting in the very front of the space, also counted among those in attendance that evening. Though they might of not been a part of her widespread “ideological family” as Mama Hasinatu always called her comrades, they too had valuable memories, adding photos to one of two collages erected on Sankofa’s stage. Kevin Orlando Miller, Mama Hasinatu’s eldest son and saxophonist for the Proverbs Reggae Band, entranced the audience with a short number.

The three-hour program, in its entirety, can be watched in these three videos, the longest of which is more than 1 hour, 40 minutes. Check it out and relish in Mama Hasinatu’s memory. Information about Mama Hasinatu’s homegoing services are below.

Mama Hasinatu’s Homegoing Memorial Service
Saturday, Jan. 13, 2018
10am to 5pm
Northeastern Presbyterian Church
2112 Varnum Street NE

In Nigeria, Team Familiar Will Celebrate Go-Go’s African Roots

Courtesy Photo of Team Familiar 

Even with decades of experience under his belt, D. Floyd, Team Familiar’s lead mic and saxophonist doesn’t shy away from change. Since the turn of the century, Team Familiar has carved out its own space in D.C.’s go-go scene, dominating the “Grown & Sexy” subgenre and staying relevant.

At this juncture in Team Familiar’s journey, the band is looking to West Africa, the ancestral home of Black Americans and epicenter of ancient percussion that inspired go-go and musical art forms preceding it. For band members, an upcoming musical tour in Nigeria will be the cultural exchange that can open the doors for a transformation.

“I’ve always looked for ways to stretch the go-go percussion rhythm,” D. Floyd told AllEyesOnDC. “My goal is to take in and learn as much as a 53-year-old man can learn about the culture we come from.”

This diasporic experience will happen during the Pan-Afrikan Back to the Roots Festival, a celebration of global African music and culture taking place in the D.C. metropolitan area and Nigeria between Dec. 5th and 10th.

In Nigeria, Team Familiar will play at a royal palace in the Ife region, located two hours from the capital city of Lagos, and perform three shows. Go-Go Mickey, Team Familiar’s widely revered congas player, will participate in an African drum circle and band members hope to meet Femi Kuti, the son of late musical pioneer and activist Fela Kuti.

The younger Kuti shares Floyd’s affinity for the saxophone.

“[Femi Kuti] finds a way of mixing the African drums in his jazz music. It’s kind of what we aim for in the world of go-go,” Floyd added. “Our drums provided the foundation of whatever we want to marry it with. We marry it with R&B. Whatever you want to put on top, go-go is the foundation.”

In addition to D. Floyd and Go-Go Mickey, Team Familiar includes Maquis “Quisy” Melvin on vocals and Sean Geason playing bass. Mickey, who shared Floyd’s outlook on go-go’s African origins, told AllEyesOnDC he’d have little trouble fitting in once he touches down in Nigeria.,even recounting an impromptu jam session he had with an African music group while setting up for a show in D.C.

“I got in right with them. It’s not hard at all, “I can feel and play any rhythm. African rhythms have that go-go feel and go-go beats came from Africa.” said Mickey who’s currently touring with Marc Cary in Johannesburg, South Africa.

Since go-go’s birth, parallels have existed between the genre’s rhythms and call-and-response style and what’s heard in African music, as well as other musical forms found throughout the African Diaspora. The 1992 Documentary “Straight Up Go-Go,” produced by Sowande Tichowanna, highlighted these similarities.

Team Familiar isn’t the only go-go band performing on the African continent, perhaps a testament to a resurgent sense of African pride and consciousness among Black American artists, particularly those in the go-go industry. Next February, Backyard Band will tour throughout Ghana, and host a concert at Cape Coast Castle, a one-time prominent slave trading port.

Plans for Team Familiar’s Nigeria Trip coalesced after Prince Ayotunde Adebayo-Isadipe heard the band play at a Baltimore lounge in July. By that time, he had already hosted the inaugural Pan-Afrikan Back to the Roots Festival. The festival, Prince Ayotunde said, will eventually expand to include a naming ceremony and African-centred marriage counseling.

Prince Ayotunde, a man of Yoruba ancestry who has lived in the U.S. since 2002, saw Team Familiar’s involvement as a means of expanding a mission centered on fostering a cultural identity among people of African descent in the West.

“My personal experiences [in the U.S.] and what I’ve learned about the transatlantic slave trade showed me that there’s a lot of missing information between us,” Prince Ayotunde said. “This program [the Pan-Afrikan Back to the Roots Festival] was created to bridge that gap and get the missing information out. This will help people have some sense of identity. Most African Americans don’t identify with us and that’s one of the side effects of what happened on the slave trade.”

For more information about this trip or Team Familiar, visit teamfamiliar.com. 

 

Back-to-School Festival at the Thurgood Marshall Center Draws Large Crowd

*Photo courtesy of Stacey Palmer.* 

This week marked the beginning of Samuel Griffiths’ daughter’s first year in elementary school and he wanted her to look the part as she starts her academic journey.

On Saturday, the father-daughter pair left their home and walked around the corner to the Thurgood Marshall Center in historic Shaw where, upon walking in its main auditorium, a hair stylist braided the young lady’s hair, free of charge.

For the rest of the afternoon, Griffiths and his daughter enjoyed the sights and sounds of the center’s inaugural back-to-school festival that featured live karaoke, a twa kwon do demonstration, a book bag giveaway, and a portrait artist, and more.

“My daughter is an overachiever. She’s going to the first grade and has already had a lot of accomplishments since she was two or three,” Griffiths, a 10-year resident of the Shaw community, told AllEyesOnDC. “It’s always welcoming to have things like this event in the community. It shows a lot of concern for the kids. [The community partners] are helping them get started with school on the right foot,” he added.

Griffith counted among hundreds of parents, children, and community members, who attended the festival on Saturday, enjoyed a smorgasbord of activities and took advantage of community resources. In the auditorium, parents sat and talked among one another as children of various ages frolicked and danced to the latest trap-pop tunes emanating through jumbo speakers.

Hair stylists and barbers braided and shaped up children’s hair throughout the day. Down the hall, a resident chef gave a healthy eating demonstration. The Thurgood Marshall Center also coordinated on-site HIV testing. Pastor Eric Zimmerman of True Foundation Apolistic Ministries in Clinton, Maryland opened the program with a prayer. In her remarks, Dr. Elizabeth Primas, program manager for the NNPA/ESSA Media Campaign provided clarity around the Every Student Succeeds Act, a federal law taking effect this school year that will allow school districts more flexibility in their policies.

Outside, festival organizers morphed the parking lot into a kiddie wonderland, equipped with an icicle vendor, moon bounce, and fire truck. Vendors sold African fabrics and health products. Throughout much of the afternoon, Artist, musician and local favorite Reesa Renee walked through the premises, mic in hand, shouting out revelers and keeping the mood upbeat. Ward 1 D.C. Council member Brianne Nadeau also paid a visit and parlayed with community members. LaSalle D. Leffall Jr., MD, FACS of Howard University Cancer Center served as the festival’s presenting sponsor.

“The best part of the festival was the haircuts for kids,” Shavon Collier told AllEyesOnDC, referencing Darnell Palmer, a local barber who trimmed young men’s hair well into the evening. Collier, a Southeast resident, spent much of the afternoon watching her children play in the auditorium. “We have a lot of low-income families that can’t afford school supplies and other things for their children. This year, I want my children to do what they’re supposed to do academically and get to the level they’re supposed to,” added Collier, a mother of three.

John El-Badr, curator at the Thurgood Marshall Center who brought his daughter and grandchildren, chatted with community members and enjoyed an icicle under the shade. For the historian, the back-to-school festival, located just two blocks from the U Street corridor, conjured memories of what Washingtonians once called Black Broadway.

“Anything that’s positive for our youth, we need to do as many times as possible,” El-Badr told AllEyesOnDC. “Marcus Garvey came to this area. John Thompson came here to play ball. Langston Hughes was here. We have to fight for Shaw, Howard [University] and our institutions like Ben’s Chili Bowl, Industrial Bank, and others that are still here. It’s still Black Broadway, even with the new stakeholders. Events like this are important to show that Black people still live in the community,” El-Badr added.

This year, the Thurgood Marshall Center solely launched the back-to-school festival for the first time after hosting it on its premises for the two consecutive years with the Greater Washington Urban League (GWUL). After GWUL announced it would move the festival to its 14th Street headquarters earlier this year, Thomasina Yearwood, president/CEO of the Thurgood Marshall Center Trust, as part of an effort to meet community demand for the annual gathering, decided to continue the project.

“The kids are prepared, looking good, and ready to learn. That’s the first step,” Stacey Palmer, lead coordinator of the festival, told AllEyesOnDC. “I know the burden school shopping places on your pocketbook. This is why we do it. The community needed it and they got to enjoy a wonderful festival. All the vendors had value and gave the parents what they wanted. I put love into it and I hope people felt the welcoming spirit in that room,” Palmer, also founder of Executive Virtual Assistance, added.

For more information about the Thurgood Marshall Center, visit tmcsh.org.

My Memories of the Noble Ancestor Dick Gregory (1932-2017)

*Courtesy photo of the late, great comedian and activist Baba Dick Gregory* 

Earlier tonight, AllEyesOnDC learned the unfortunate news of Baba Dick Gregory’s transition. Baba Gregory had been ill and hospitalized for some time; social media postings this week and a family statement calling for prayer foreshadowed the conclusion of an exemplary and impactful life.

A comedian, social critic, activist, author and diet adviser, Baba Gregory made a mark in the Black world from the start of his professional journey. He broke barriers in comedy and challenged America in its face so that it had no chance but to take him seriously. Later on, those efforts expanded into other realms, some of which I had a chance to see in my less than 30 years.

Baba Gregory weighed in on the issues of the day, and opened Our eyes to the U.S, empire’s dealings. Many of Us, because We had experienced the hardships of this system, agreed and embraced Gregory’s messages, and examined Our situation lightheartedly, even if for a second.

Years ago, as a graduate student, I met Baba Gregory at a store located next to Farragut North Metro Station in Downtown D.C. As a reporter for the Washington Informer, I interviewed Baba Gregory at a fundraiser he headlined at Wanda’s Salon in Shaw. Later interactions, though brief, took place in CVS not too far from the station, and in a WPFW studio right after wrapping up a session with a brother and mentor. Last year, I caught a glimpse of Baba Gregory leaving Sankofa Video Books & Cafe on Georgia Avenue about a year ago, walking slowly with the swag of an elder statesman.

Those moments remain etched in my mind because, even with his worldwide fame and influence, Baba Gregory still walked among the people in the community. His progeny, artist Ayanna Gregory among them, did the same, gaining Our trust and respect.

At a time where Our rich and famous help maintain the status quo, Baba Gregory’s actions on and off the stage should serve as inspiration and a blueprint for what must be done when given a platform.

Rest on Baba Dick Gregory. Many thanks for your service and may those of Us still fighting the Babylon system walk in your footsteps.

The Youth Speak!

** watermarked photo of Congress Heights metro station** 

Though young people today are speaking out more about police brutality, community violence, and displacement of Black people in major cities, the ways of the world still corrupt those who don’t understand the historical context of these events and how they dictate the code of conduct in their social circles. That, along with lack of knowledge makes them fall prey to forces that can negatively alter their life.

This summer, two youth took on the call to learn more about their revolutionary Black/African heritage and represent the Black teenage perspective on AllEyesOnDC. Our AllEyesOnDC youth representatives Roneisha and Ma’kal learned about the writing process, followed the production of a community news program, toured historic DC. staples, and saw organizing in action.

One of those instances, highlighted in this piece, came out of an experience with the New Black Panther Party less than a week before their march for affordable housing in early July. Roneisha and Ma’kal, still learning about Black Nationalism and Pan-Africanism, as we all are, soaked in the sights and sounds of that July evening.

Below are their reflections:

Yes, Black People are Special

By Roneisha B. 

AllEyesOnDC Contributing Writer

Earlier this summer during a gathering hosted by the New Black Panther Party, I learned about how special it is to be a Black person and that you can only move forward by yourself. Black people are special because we have so much history and there could be a lot of information we don’t know.

Roneisha Bennett
Roneisha B.

From the meeting I now know much about the important people who came before me who did what they needed to do so the people of this generation could be free and have equal rights. White supremacy has been trying to take over our country and we have to stop it. But we can only stop it if we are united as one whole. Nothing can be done if our people are beefing with each other instead of the opposition.

One person that stood out to me was Marcus Garvey. He was important because he was an activist and the leader of the Pan-Africanist movement. He did what he needed to do during his time so the people that come after him can take on the same actions as him. Things like this aren’t taught in schools and should be because this is the history that we need to be learning. This is the history of what our people did and how it would affect us then and now. If things like this aren’t taught then the younger generation is walking around with knowledge that isn’t important. The young aren’t aware of information like this because schools only teach you certain stuff instead of the more important history.

 More young people should attend meetings like this because it makes them aware of what’s happening in the world and how it can affect them and their lives. Because of white people trying to take over, opportunities for African Americans are lessening unless we fight for what we want. You have to be your own leader and take initiative. Nothing is going to be handed out so we have to go and get it if we want it instead of letting the opposition take the power away.

We need to follow in the footsteps of those important role models and fight like our elders did. They didn’t let anything get in their way; they fought through violence but still found a way to get what they needed. Instead of trying to do exactly what they did, we can do things in the same manner they did.They aren’t our greatest leaders but we are our greatest leader. In order to do this and achieve our goals, the youth need to be one instead of taking sides. That slows us down and isn’t helpful to one another. Lending a helping hand can move the pace faster.

This is an important affair in my life because I thought activists should do the same exact thing that our ancestors did but instead you should do things differently but the same way they did it to get more of an effective outcome in general. What I mean by that is making change that will have a positive outcome for sure. All in all the whole beginning of the meeting is important to the youth because it affects their future.

Speak Up and Speak Out

By Ma’kal F. 

AllEyesOnDC Contributing Writer

What I learned during the New Black Panther Party’s meeting in July about black liberation is that it only represents Blacks and their own belief that Black people are just as good as people of other racial backgrounds. The Black Panthers started a movement about Black pride. It was a movement boost ideologies that encourage Black people to celebrate Black culture and embrace their African heritage.

IMG_1371
Ma’kal F.

The New Black Panthers also spoke loudly with their words so that everybody could hear them. I think the Black Panthers represents speaking loudly. I speak softly because when I was a child, my mom always told me to be quiet. All those words made me the person I am today. It’s hard for me to speak loudly because when I speak in a low voice I think everybody can hear me. It’s quiet in my household so if I were to say something everyone there could hear me. It’s not right for a person to not be able to talk loudly in their own house.

That why I thank the New Black Panther Party for helping me. If it wasn’t for the New Black Panthers, I wouldn’t know how to speak up and use my mouth. If you don’t speak up, no one can hear you Black Panther party was a revolutionary Black nationalist and socialist organization. The panthers represent courage , valor and power.

 What I also learned about Black Panther is that’s every time members of the New Black Panther Party greet each other, they say Black power. Black power is a slogan and a name for various associated ideologies aimed at achieving self- determination for people of African descent. What I would tell younger kids from my learning experience is to speak up and use your words to make sure everyone can hear you. If they can’t hear you there, is no point in talking.

Create a free website or blog at WordPress.com.

Up ↑